An anonymous reader submitted this interesting software request/editorial piece. The idea of digital demonstrations is still more or less in its infancy; various methods have been tried but none have proven to be perfect. Slashdot recently covered one presentation about digital demonstrations given at H2K2 [grep Dornseif] - the slides are online. The writer has glossed over some technical details, and the theoretical system he describes doesn't meet all of Dornseif's criteria for a digital demonstration which mimics physical ones (which seemed pretty well thought out at H2K2), but it's certainly an interesting idea nonetheless.

Spirited Away, or Sen to Chihiro no Kamikakushi, is a made-for-Japan animated film that has now made it across the Pacific. Famed director Hayao Miyazaki and Studio Ghibli are well-known for producing exceptional films, and this one is outstanding. It made some vast amount of money in Japan, and U.S. critics are raving about it, but it probably isn't showing in your neighborhood: it's opening in ten large cities this week, a few more next week, and perhaps still more the week after that. There's a proprietary-format trailer available.

al3x writes "I attended the Digital Rights Management Workshop held this afternoon at the Dept. of Commerce in my home town of Washington, DC. Though there were a number of professional journalists present, some of whom have already gotten their story on the event out, I want to offer a view less constrained by the need for journalistic objectivity, and share the eye-opening experience I wasn't expecting." al3x's story follows; Grant Gross of Newsforge attended and wrote up his experiences; and besides the News.com story, Declan also took a bunch of photographs. However, he has misidentified Jay Sulzberger in the photographs and story - this is Jay Sulzberger, not the guy kneeling at the table. Update: 07/18 15:07 GMT by M : The kneeler is now identified as Brett Wynkoop.

Your intrepid reporter took a jaunt down to the H2K2 conference this past weekend, held in the lovely Hotel Pennsylvania. The conference had much more floor space than they had two years ago, and it seemed like more attendance as well. Wireless networks were available, though overcrowded, and if you didn't encrypt your communications, well, you've probably already paid the price. My notes on the conference and the sessions I attended are below, followed by a couple of reader submissions.

The first Men In Black came out of nowhere five years ago. Barry Sonnenfeld stole the box office that summer with the original, strange, hilarious, spoofy sci-fi comedy. Will Smith and Tommy Lee Jones were the perfect pair for this inventive "who-are-the-aliens-in-our-midst" romp, playing secret agents working for a super-secret government agency keeping an eye on beings from outer space. It was perfect for the era of the still-vibrant X-Files. The sequel, inevitably, has lost some of the surprise. But it's still plenty of fun. Spoilage warning: plot discussed, not ending, not that it matters here.

If only H.L. Mencken or A.J. Liebling were still around to weigh in on the kidnapping stories suffusing our media lately. Alas, they're not. They wouldn't even be able to find work these days. And too bad. If healthy media criticism still existed, someone might have pointed out the insane hype that shrouded tragedies like the death of Princess Di and TWA Flight 800. Pandering media hype isn't new to people who've been on the Net or the Web. Just consider the hacking and porno scares and insane coverage of offspring companies like Microsoft and Amazon. Why does a case like the kidnapping of Elizabeth Smart get so much attention when others just as horrific get none at all? The answer is as obvious as it is depressing.

The sleaze has gotten out of hand; it's time to roast a group of 20 or so companies whose profits are directly linked to creating fear in their customers, who have to keep discovering new sources of fear to improve their bottom line - or in the absence of new discoveries, keep inventing new sources of fear. Yes, it's time to take on the anti-virus software vendors.

"Its like being the world's tallest midget" is how Flansburgh describes They Might Be Giants fame at one point during the bands documentary, Gigantic. I was lucky enough to score tickets to the opening screening here in Seattle of the movie and was delighted with what I received for the price of admission. Of course having one of the John's, Flansburgh that is, plus the director AJ Schnack show up to the screening only added to the value.

Ex-Amazon.com wage slave Mike Daisey asks in one fantasy e-mail to his then-boss Jeff Bezos: "Would it have been so hard to build a cool and quirky bookstore instead of a soulless virtual megamall? You were afraid: afraid to define the company, afraid the stock would drop, afraid not to feed the monster. What you sacrifice reveals what you value, and you're a fool if you think the world will forgive you in the end." Prescient stuff. 21 Dog Years: Doing Time @ Amazon.com , Daisey's hilarious, heartbreaking and surprisingly powerful recounting of life inside what may be the world's strangest, most ephemeral company -- a symbol of all that was exciting, misguided, and ultimately misunderstood about business online during the mad years. It's also one of the best books ever written about the Net, an unsparing, even brutal indictment not only of hubris, but of media and, of course, the corporate-spawned hype that shapes so much of American life.

It may not be the summer's happiest movie, but it might be the best (and there isn't a single marching digital Army, special effect, or marketing tie-in involved!). Hilary Swank and Robin Williams co-star in this dark tale of murder and redemption, but it's really Al Pacino's movie from beginning to end. And he was born to play the role of the exhausted, tough, morally confused LA homicide cop pursued by the do-gooders from Internal Affairs (IA), sent off to Alaska to help an old pal solve a vicious killing. The plot is a touch cheesy at moments, but the film is wonderfully acted, and beautifully shot. It's also dark, a great and timely movie. This isn't a take-your-mind-off-your-troubles summer flick. Neither is it a mega-epic. SPOILAGE WARNING: Plot discussed, not ending.

We saw a cultural and generational coup d'etat this month, at least in cinematic terms -- if we were watching. Star Wars was challenged by millions of rebellious kids, who decided to choose a new kind of myth. The next generation unseated its elders -- as is the right of every generation - and is making its own culture, moving away from ours. In doing so, these kids balked at mega-hype, rediscovered earnestness, simplicity, the love story, some patriotism, punctured a billion-dollar balloon, and maybe even sparked a (relative) movement away from whorish sellouts, back to simpler story-telling. I, for one, sure hope so.

Dogtown and Z-Boys is a wonderful documentary, exactly the kind they'll be making about hackers in two or three decades. It's the very American story of the pioneering l970's Zephyr skating team, whose LA guerrilla style shook up the mainstream types, and co-opted centuries of building technology to create an appealing and enduring culture with their individualistic brand of guts, energy and drive -- much like the kids who helped build the early Net. Skip the long lines for the hypey and elephantine big epic and get to Dogtown.

Michael Jennings writes: "Here is a review of the Game On exhibition that is on at the Barbican centre in London, and which will tour Japan and the US in 2003." Here are two previous mentions of the exhibit. Below are Michael's detailed impressions of the exhibit.

We've run a number of stories about RealNames over the years. To our credit, Slashdot readers and editors have mostly thought that RealNames was a foolish and pointless money wasting exercise to create an alternate DNS system that is neither, well, alternative or compatible with the DNS protocols. But recently, due to some shrewd marketing on the Part of Keith Teare, the RealNames CEO, they've gotten undeserved sympathy by painting themselves as victims of Microsoft. It is my intention to cut this off before it goes any further, to engage in some review of RealNames business and why it was a good thing that they went out of business. If you are interested in reading my thoughts about this, read on...

Daryl Carpenter writes "After months of grumbling and mild assaults, I finally vent my rage with this penultimate [ed. note: there will be another one?] assault on the cinematic drivel known as "U-571". Did he like it? I don't know. You be the judge.

Lucas hasn't exactly redeemed himself this time around, but he has wiped out most of the worst of The Phantom Menace from my memory. Clones starts off slow, and it takes half the movie to really start get going. But the final hour finally feels like Star Wars again. Read on for my full review- I'll try not to lone gunman the thing, but you've been warned.

Peter Wayner writes: "In all of the scary stories Hollywood circulates about copyright piracy, nothing could be scarier that the gang of file swapping, copyright circumventing hackers in the new movie 'Enigma'. They laugh and love a bit, but mainly they spend their time building a big whirring and clicking machine to smash a copyright protection mechanism. When the machine delivers, they put the results into a Gnutella-like file sharing system called Ultra so their friends can track down the original artists and kill them." (Read on for the rest of Peter's review.)

Spider-Man shocked analysts and critics last week, racking up a record-breaking $114 million opening weekend for Sam Raimi's warm-hearted adaptation about the web-slinging arachnoid-nerd from Queens who gets the bad guy but really wants the girl. Spider-Man embodies the simplest, most elemental tenets of myth, especially when compared to the increasingly elephantine Skywalker saga, which seems more like a graduate program than a story each time there's a new movie. I'll bet Peter Parker's adventure surpasses the upcoming opening weekend of Attack of the Clones and teaches George Lucas something about the power and nature of myth.

Major news Web sites routinely rewrite stories after they are published, sometimes so heavily that they only bear a glancing resemblance to what was posted earlier. This CNN/Money article about the penalty phase of the Microsoft trial is a prime example. What you see at the other end of the link is quite different from the story that first appeared at that URL. Even the headline and byline have changed. But CNN/Money managing editor Allen Wastler says there is nothing wrong with this practice, even though there is no indication on the site that the article was heavily modified after it first appeared.

I skipped out early this morning and went to see the first showing of Spiderman in my local theater. The Sam Raimi directed spiderman is the first of the summers blockbusters and stars Toby Maguire as the webslinger, Willem Dafoe as the Green Goblin and Kirsten Dunst and the lovely Mary Jane. And guess what? Its one of the best comic book movies I've ever seen. I loved it. And I'll try not to lone-gunman-are-dead the review, but if you're super paranoid, just skip out, go see the flick, and enjoy it.